ZEISS SUPREME PRIME Rental

The Zeiss Supreme Prime T1.5 lenses are Zeiss‘s reference Full Frame spherical prime range for modern cinematography: designed from the ground up for the new generation of large-format sensors, they combine the highest technical performance with unprecedented consistency and ergonomics across the entire range. Developed and manufactured entirely independently of ARRI, the Supreme Primes are Zeiss’s statement for establishing the new standard in high-speed cinema lenses for Full Frame and beyond — with the same optical and mechanical rigour as their great classic series, but conceived and built for the high-resolution digital era. Their look is defined by a soft, organic sharpness, very natural skin tones, and an exceptionally smooth, texture-rich transition between in-focus and out-of-focus areas.

With a constant aperture of T1.5 across the full range, Full Frame and beyond coverage — 46.2mm image circle —, an 18-blade iris for perfect circular bokeh, and Zeiss’s integrated eXtended Data (XD) metadata system — compatible with /i Technology, Cooke /i, and ARRI LDS —, the Supreme Primes are among the fastest and most complete lenses available in the large-format market. Uniform 95mm front diameter across the full set. Interchangeable mount system: LPL, PL and EF — tool-free. 300° focus rotation. Colour-matched across the full range.

  • Type: Full Frame spherical prime lenses — Zeiss Supreme Prime T1.5.
  • Sensor coverage: Full Frame and beyond (FF+) — image circle 46.2mm in diameter.
  • Compatible with ARRI ALEXA LF, ALEXA Mini LF, Sony Venice and other large-format sensors.
  • Tool-free interchangeable mount: LPL, PL and EF.
  • Aperture: T1.5–T22 across all focal lengths.
  • Iris: 18 blades — perfect circular bokeh at any aperture.
  • Front diameter: 95mm uniform across the full set.
  • Focus rotation: 300°.
  • eXtended Data (XD) system: frame-by-frame lens metadata — compatible with /i Technology, Cooke /i and ARRI LDS.
  • Focus breathing: virtually eliminated.
  • Colour-matched across the full range.
  • Focus gear: 0.8 MOD.
  • Look: soft, organic sharpness — texture-rich focus-to-bokeh transition — very natural skin tones — perfect circular bokeh.
  • Minimum focus distance: 0.26m (18mm) — 0.26m (21mm) — 0.26m (25mm) — 0.26m (29mm) — 0.30m (35mm) — 0.45m (50mm) — 0.70m (65mm) — 0.85m (85mm) — 1.00m (100mm) — 1.12m (135mm).
  • Weight: 1.22–1.70 kg per focal length.

Basic Set included

  • 21mm — T1.5.
  • 25mm — T1.5.
  • 29mm — T1.5.
  • 35mm — T1.5.
  • 50mm — T1.5.
  • 85mm — T1.5.
  • 100mm — T1.5.

Extra focal lengths available

  • 18mm — T1.5.
  • 65mm — T1.5.
  • 135mm — T1.5.

Perfect for: cinematographers seeking the highest Full Frame technical performance with Zeiss’s definitive modern look — constant T1.5, soft organic sharpness, 18-blade circular bokeh, integrated XD metadata, tool-free interchangeable mount, and full coverage of any large-format sensor —, for auteur productions, feature films, series, commercials, and any project where technical quality, consistency, and modernity are the top priorities.