{"id":1398,"date":"2026-03-23T06:45:36","date_gmt":"2026-03-23T06:45:36","guid":{"rendered":"https:\/\/sfgrental.com\/?post_type=product&#038;p=1398"},"modified":"2026-03-30T10:20:25","modified_gmt":"2026-03-30T10:20:25","slug":"arri-master-prime-lenses","status":"publish","type":"product","link":"https:\/\/sfgrental.com\/en\/cameras\/lenses\/spherical-lenses\/arri-master-prime-lenses\/","title":{"rendered":"ARRI MASTER PRIME"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>The <strong>ARRI-Zeiss Master Prime<\/strong> lenses are the highest-resolution and fastest Super 35 prime lenses ever developed through the collaboration between <strong>ARRI<\/strong> and <strong>Zeiss<\/strong>, and rank among the most technically acclaimed cinema lenses in the industry. Launched in <strong>2004<\/strong>, they revolutionised the market by combining for the first time a <strong>constant T1.3 aperture<\/strong> across the full focal range \u2014 from 12mm to 150mm \u2014 with unprecedented resolution and unrivalled precision mechanics, establishing themselves as the absolute benchmark for productions demanding both maximum speed and maximum sharpness. Their image is more modern, contrasty, and defined than the Ultra Primes, with greater colour saturation and virtually zero aberrations at full aperture. Shot on <em>The Dark Knight<\/em> (Christopher Nolan, 2008), <em>The Great Gatsby<\/em> (Baz Luhrmann, 2013), and <em>Interstellar<\/em> (Christopher Nolan, 2014).<\/p>\n<p>Their <strong>Dual Floating Elements<\/strong> technology \u2014 patented by ARRI and Zeiss \u2014 virtually eliminates focus breathing across the full focal range at any aperture, making them one of the lowest-breathing lenses on the market. The integrated <strong>LDS (Lens Data System)<\/strong> transmits lens data in real time to the camera and production data systems, making them a key tool in VFX and Virtual Production workflows. Uniform <strong>114mm front diameter<\/strong> across the full set \u2014 except the 12mm \u2014, uniform iris and focus gear positions across all focal lengths, and excellent optical performance throughout the T1.3\u2013T22 range. <strong>PL<\/strong> mount with LDS.<\/p>\n<ul>\n<li>Type: Super 35 spherical prime lenses \u2014 ARRI and Zeiss collaboration<\/li>\n<li>Sensor coverage: Super 35<\/li>\n<li>Mount: PL with LDS (Lens Data System)<\/li>\n<li>Aperture: T1.3\u2013T22 across all focal lengths<\/li>\n<li>Dual Floating Elements technology (patented): focus breathing virtually eliminated across the full focal range<\/li>\n<li>LDS: real-time lens data transmission to camera \u2014 key for VFX and Virtual Production workflows<\/li>\n<li>Front diameter: 114mm uniform across the full set<\/li>\n<li>Uniform iris and focus gear positions across all focal lengths<\/li>\n<li>Excellent optical performance throughout the T1.3\u2013T22 range<\/li>\n<li>No vignetting, no veiling glare, no chromatic aberration at full aperture<\/li>\n<li>Minimum focus distance: 0.35m (16\u201327mm) \u2014 0.40m (32\u201335mm) \u2014 0.40m (40mm) \u2014 0.50m (50mm) \u2014 0.65m (65mm) \u2014 0.75m (75mm) \u2014 1.00m (100mm) \u2014 1.20m (135mm)<\/li>\n<li>Length: approx. 150\u2013170mm depending on focal length<\/li>\n<li>Weight: 2.3\u20132.9 kg per focal length<\/li>\n<\/ul>\n<h2>Basic Set included<\/h2>\n<ul>\n<li>18mm \u2014 T1.3<\/li>\n<li>25mm \u2014 T1.3<\/li>\n<li>35mm \u2014 T1.3<\/li>\n<li>50mm \u2014 T1.3<\/li>\n<li>75mm \u2014 T1.3<\/li>\n<\/ul>\n<h2>Extra focal lengths available<\/h2>\n<ul>\n<li>16mm \u2014 T1.3<\/li>\n<li>21mm \u2014 T1.3<\/li>\n<li>27mm \u2014 T1.3<\/li>\n<li>32mm \u2014 T1.3<\/li>\n<li>40mm \u2014 T1.3<\/li>\n<li>65mm \u2014 T1.3<\/li>\n<li>100mm \u2014 T1.3<\/li>\n<li>135mm \u2014 T1.3<\/li>\n<\/ul>\n<p><\/p>\n<p><strong>Perfect for:<\/strong> cinematographers seeking maximum speed, resolution, and technical precision on Super 35 \u2014 constant T1.3, virtually zero breathing, and unmatched optical performance at full aperture \u2014, for feature films, series, and high-end commercials where sharpness, contrast, and speed are the absolute priorities.<\/p>","protected":false},"featured_media":1397,"comment_status":"open","ping_status":"closed","template":"","meta":{"_angie_page":false},"product_brand":[137],"product_cat":[632,413,424],"product_tag":[],"class_list":["post-1398","product","type-product","status-publish","has-post-thumbnail","product_brand-arri","product_cat-spherical-lenses","product_cat-cameras","product_cat-lenses","first","instock","shipping-taxable","purchasable","product-type-simple"],"lang":"en","translations":{"en":1398,"es":1396},"_links":{"self":[{"href":"https:\/\/sfgrental.com\/en\/wp-json\/wp\/v2\/product\/1398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sfgrental.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/sfgrental.com\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/sfgrental.com\/en\/wp-json\/wp\/v2\/comments?post=1398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sfgrental.com\/en\/wp-json\/wp\/v2\/media\/1397"}],"wp:attachment":[{"href":"https:\/\/sfgrental.com\/en\/wp-json\/wp\/v2\/media?parent=1398"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/sfgrental.com\/en\/wp-json\/wp\/v2\/product_brand?post=1398"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/sfgrental.com\/en\/wp-json\/wp\/v2\/product_cat?post=1398"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/sfgrental.com\/en\/wp-json\/wp\/v2\/product_tag?post=1398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}